The Thematic Application of Music In "Twelfth Night"

?If music be the food of dearest, play on?? With these speech as the play?s beginning, it comes as no wonder that the correlation amongst cheat and music turns out to be a significant motif of Twelfth Night, exploited lots by Shakespeare and on several occasions. His incorporation of song and instrumentation in the midst of prose emphasizes the atmosphere of melancholy and comedy that the communion creates, play off of the action and bailiwicks of the play. This thought certainly holds a airwave for the music made by the clown Feste in take II, scene IV. His short rhyme attests the painful story of the grim that accompanies unrequited love, which has obvious ties to the love triangle found in the midst of Orsino, Viola and Olivia. Howevera closer analysis of this song may be used to uncover the further musical themes that it addresses ? those of disguise and loss. Shakespeare makes these themes more exculpated with his use of literary devices, such as metaphor, oxymoron, and symbolism in the song. It is the employment of these rhetorical figures within the song paired with its tell between love and death that perpetuate the central theme of unrequited love based on disguise. From unrequited love springs death.

This overly dramatic statement serves as the story trace of Feste?s song, mirroring much of the story of Twelfth Night where third characters become the victims of an unreturned love. The dramatic and extreme metaphor of death that is employed, however, is airless closely related to the similarly intense and exaggerated pique of Orsino. His flowery words and lamentations concerning hi s emotions, such as when he muses on the ?sp! irit of love, how quick and fresh art thou? (I.i.9), allude not to be directed at Olivia but preferably love itself, revealing his nature as a direful romantic... If you want to get a full essay, order it on our website: BestEssayCheap.com

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